Natasha, Pierre, and the Great Comet of 1812

Natasha, Pierre, and the Great Comet of 1812 Square Production Poster

Natasha, Pierre, and the Great Comet of 1812

by Dave Malloy

Two-time Tony® Award Winner Natasha, Pierre & The Great Comet of 1812, is an innovative electropop opera, based on a scandalous slice of Leo Tolstoy’s War and Peace.  This immersive performance tells the story of beautiful Natasha who falls for the charming rebel Anatole while her betrothed Andrey is off at war, while the introspective Pierre grapples with his existential crises. The thrilling, ground-breaking score melds rock, pop, soul, and folk, unlike anything you’ve heard. Join us for this Tony Award-winning spectacle that The New York Times hailed as “the most innovative and best new musical to open since Hamilton!”.  Nominated for 12 Tony Awards including Best Musical and Best Original Score.

Natasha, Pierre, and the Great Comet of 1812 is presented by arrangement with Concord Theatricals. www.concordtheatricals.com

Performance Dates

  1. Wednesday, February 26th

    Studio Theatre 7:30 PM

  2. Thursday, February 27th

    Studio Theatre 7:30 PM

  3. Friday, February 28th

    Studio Theatre 7:30 PM

  4. Saturday, March 1st

    Studio Theatre 2:00 PM & 7:30 PM

  5. Sunday, March 2nd

    Studio Theatre 2:00 PM

UTA Department of Theatre Arts and Dance

presents

Natasha, Pierre, and the Great Comet of 1812

by Dave Malloy

Natasha, Pierre, and the Great Comet of 1812 is presented by arrangement with Concord Theatricals. www.concordtheatricals.com

 

Director

Anne Healy

Choreographer

Sarah Fagan

Music Direction

Vicky Nooe

Scenic Design

Gabrielle Malbrough

Lighting Design

Leah Mazur

Costume Design

Margaret Monostory

Sound Design

Bill Eickenloff

 

Broadway premiere presented by Howard & Janet Kagen, Paula Marie Black, Carole Shorenstein Hays, Jenny Steingart and Jason Eagan, Mary Lu Roffe and Susan Gallin, Diana DiMenna, Mary Maggio/Sharon Azrieli/Robin Gorman, Darren Sussman/Roman Gambourg/Lev Gelfer, Tom Smedes, John Logan, Lisa Matlin, Margie and Bryan Weingarten, Daveed Frazier, Argyle Productions/Jim Kierstead, In Fine Company/Hipzee, Gutterman & Caiola/Backdrop Partners, Siderow Kirchman Productions/Sunnyspot Productions, Gordon/Meli Theatricals, Rodger Hess/Larry Toppall, Daniel Rakowski/Matt Ross/Ben Feldman, Mike Karns, The American Repertory Theatre (Diane Paulus, Artistic Director; Diane Quinn, Executive Producer; Diane Borger, Producer), and Ars Nova.

Originally commissioned, developed, and world premiere produced by Ars Nova; Jason Eagan, Founding Artistic Director; Renee Blinkwolt, Managing Director.
Further developed and produced by the American Repertory Theater at Harvard University; Diane Paulus, Artistic Director; Diane Quinn, Executive Producer; Diane Borger, Producer.

Copyright Notice

The videotaping or making of electronic or other audio and/or visual recordings of this production and distributing recordings or streams in any medium, including the internet, is strictly prohibited, a violation of the author(s)’s rights and actionable under united states copyright law.

For more information, please visit: https://concordtheatricals.com/resources/protecting-artists